{"id":2593,"date":"2025-03-11T08:39:23","date_gmt":"2025-03-11T08:39:23","guid":{"rendered":"https:\/\/diario.madrid.es\/carabanchel\/?p=2593"},"modified":"2025-03-11T08:41:34","modified_gmt":"2025-03-11T08:41:34","slug":"retratos-de-mujer-diez-mujeres-diez-historias","status":"publish","type":"post","link":"https:\/\/diario.madrid.es\/carabanchel\/2025\/03\/11\/retratos-de-mujer-diez-mujeres-diez-historias\/","title":{"rendered":"\u2018Retratos de Mujer\u2019: diez mujeres, diez historias"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>El Centro Cultural San Francisco La Prensa acoge hasta el 27 de marzo la exposici\u00f3n \u2018Retratos de Mujer\u2019, una muestra art\u00edstica compuesta por diez cuadros que rinden homenaje a mujeres que marcaron la historia. Obra de la joven artista madrile\u00f1a Carmen Mart\u00ednez, ofrece un recorrido visual por la vida y legado de figuras femeninas de distintas \u00e9pocas y \u00e1mbitos.<\/p>\n<p>La exposici\u00f3n re\u00fane diez historias de diez mujeres representadas con un estilo modernista y fondos minimalistas. Los retratos se centran en la mirada y el car\u00e1cter de esa decena de mujeres, capturando no solo su presencia, sino su esencia y lucha por una vida plena, seg\u00fan describe la artista. Con estos cuadros, la exposici\u00f3n busca visibilizar a mujeres como modelos a seguir.<\/p>\n<p>A trav\u00e9s de los trazos de la pintora, el p\u00fablico podr\u00e1 conocer a diez mujeres que desafiaron las normas de su tiempo y dejaron una huella imborrable en la historia. Adem\u00e1s, en el perfil de Instagram de la autora (@_AAOIDEMM), la artista comparte peque\u00f1os v\u00eddeos en los que narra la historia de estas incre\u00edbles mujeres.<\/p>\n<p>Aqu\u00ed os contamos un poco m\u00e1s acerca de las mujeres detr\u00e1s de cada obra:<\/p>\n<ul>\n<li><strong>Olympe de Gouges (1748-1793)<\/strong>, dramaturga y activista francesa, autora de la Declaraci\u00f3n de los Derechos de la Mujer y de la Ciudadana, en la que reivindicaba la igualdad entre hombres y mujeres en plena Revoluci\u00f3n Francesa. Fue ejecutada en la guillotina por sus ideas feministas y su oposici\u00f3n al r\u00e9gimen de Robespierre.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2603\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-768x1024.jpg\" alt=\"\" width=\"259\" height=\"345\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Olympe-de-Gouges.jpg 1530w\" sizes=\"(max-width: 259px) 100vw, 259px\" \/><\/a><\/p>\n<ul>\n<li><strong>Irena Sendler (1910-2008)<\/strong>, enfermera y trabajadora social polaca que, con una red de colaboradores, logr\u00f3 salvar a m\u00e1s de 2.500 ni\u00f1os jud\u00edos del gueto de Varsovia durante la Segunda Guerra Mundial, ocult\u00e1ndolos en conventos, orfanatos y familias de acogida. Fue arrestada y torturada por la Gestapo, pero nunca revel\u00f3 informaci\u00f3n.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2602\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-819x1024.jpg\" alt=\"\" width=\"244\" height=\"305\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-819x1024.jpg 819w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-240x300.jpg 240w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-768x960.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-1000x1250.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-500x625.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler-216x270.jpg 216w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Irena-Sendler.jpg 1224w\" sizes=\"(max-width: 244px) 100vw, 244px\" \/><\/a><\/p>\n<ul>\n<li><strong>Zheng Yi Sao (1775-1844)<\/strong>, una de las piratas m\u00e1s poderosas de la historia. Comand\u00f3 una flota de m\u00e1s de 70.000 marineros en China y desafi\u00f3 a las armadas de varias naciones, estableciendo un estricto c\u00f3digo de conducta para su tripulaci\u00f3n y asegurando la independencia de su flota.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2605\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-768x1024.jpg\" alt=\"\" width=\"246\" height=\"328\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Zhenh-yi-sao.jpg 1530w\" sizes=\"(max-width: 246px) 100vw, 246px\" \/><\/a><\/p>\n<ul>\n<li><strong>Hildegard von Bingen (1098-1179)<\/strong>, monja benedictina alemana que destac\u00f3 como escritora, compositora, fil\u00f3sofa, naturalista y visionaria. Escribi\u00f3 tratados m\u00e9dicos y teol\u00f3gicos, adem\u00e1s de componer piezas musicales innovadoras para su \u00e9poca. Fue canonizada y proclamada Doctora de la Iglesia en 2012.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2594\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-768x1024.jpg\" alt=\"\" width=\"257\" height=\"342\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/hildegarda.jpg 1530w\" sizes=\"(max-width: 257px) 100vw, 257px\" \/><\/a><\/p>\n<ul>\n<li><strong>Giulia Tofana (1620-1659)<\/strong>, alquimista italiana que cre\u00f3 el veneno Aqua Tofana, utilizado por muchas mujeres para liberarse de matrimonios abusivos en el siglo XVII. Su mezcla letal pas\u00f3 desapercibida durante a\u00f1os hasta que fue descubierta y ejecutada en Roma.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2596\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-752x1024.jpg\" alt=\"\" width=\"238\" height=\"324\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-752x1024.jpg 752w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-220x300.jpg 220w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-768x1046.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-1128x1536.jpg 1128w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-1500x2043.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-1000x1362.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-500x681.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb-198x270.jpg 198w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_562850eb.jpg 1504w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Sor Juana In\u00e9s de la Cruz (1648-1695)<\/strong>, poeta y fil\u00f3sofa mexicana del Siglo de Oro. Defensora del derecho de las mujeres a la educaci\u00f3n, escribi\u00f3 sobre la libertad intelectual y desafi\u00f3 las normas religiosas de su tiempo. Sus escritos fueron censurados y termin\u00f3 recluida en un convento.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2599\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-768x1024.jpg\" alt=\"\" width=\"235\" height=\"314\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_e9e6f6ce.jpg 1530w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Queen Nanny (1686-1755)<\/strong>, hero\u00edna nacional de Jamaica y l\u00edder de los cimarrones, esclavos fugitivos que resistieron el dominio brit\u00e1nico. Gracias a su conocimiento del terreno y sus estrategias militares, logr\u00f3 fundar comunidades libres y desafiar al ej\u00e9rcito colonial.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2598\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-768x1024.jpg\" alt=\"\" width=\"248\" height=\"331\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.22_581a86a6.jpg 1530w\" sizes=\"(max-width: 248px) 100vw, 248px\" \/><\/a><\/p>\n<ul>\n<li><strong>Gertrude Ederle (1905-2003)<\/strong>, nadadora estadounidense que en 1926 se convirti\u00f3 en la primera mujer en cruzar a nado el Canal de la Mancha. Su haza\u00f1a rompi\u00f3 estereotipos de g\u00e9nero y marc\u00f3 un hito en la historia del deporte femenino.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2600\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-694x1024.jpg\" alt=\"\" width=\"250\" height=\"369\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-694x1024.jpg 694w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-203x300.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-768x1134.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-1040x1536.jpg 1040w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-1000x1477.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-500x738.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92-183x270.jpg 183w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.11.15_40180b92.jpg 1387w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<ul>\n<li><strong>Lady Mary Wortley Montagu (1689-1762)<\/strong>, escritora y arist\u00f3crata brit\u00e1nica que introdujo la t\u00e9cnica del variolizaci\u00f3n en Europa tras observar su \u00e9xito en el Imperio Otomano. Su labor fue clave para el desarrollo de la vacuna contra la viruela.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2595\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-768x1024.jpg\" alt=\"\" width=\"256\" height=\"341\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-02-24-a-las-12.34.42_4d8371ce.jpg 1530w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/a><\/p>\n<ul>\n<li><strong>Artemisia Gentileschi (1593-1654)<\/strong>, pintora barroca italiana, pionera en representar a mujeres fuertes y desafiantes en sus obras. Super\u00f3 un proceso judicial por violaci\u00f3n y logr\u00f3 consolidarse como una de las artistas m\u00e1s reconocidas de su tiempo.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-2597\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-768x1024.jpg\" alt=\"\" width=\"245\" height=\"327\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-768x1024.jpg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-225x300.jpg 225w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-1152x1536.jpg 1152w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-1500x2000.jpg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-1000x1333.jpg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-500x667.jpg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f-203x270.jpg 203w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/Imagen-de-WhatsApp-2025-03-07-a-las-18.10.21_68a3fa6f.jpg 1530w\" sizes=\"(max-width: 245px) 100vw, 245px\" \/><\/a><\/p>\n<p>La exposici\u00f3n podr\u00e1 visitarse de forma gratuita en el Centro Cultural San Francisco de la Prensa en su horario habitual: de lunes a viernes de 9:00 a 21:00 h y s\u00e1bados de 10:00 a 14:00 h. \u2018Retratos de Mujer\u2019 es una oportunidad \u00fanica para descubrir a estas figuras fascinantes y su impacto en la historia a trav\u00e9s de la mirada y el talento de Carmen Mart\u00ednez.<\/p>\n<figure id=\"attachment_2608\" aria-describedby=\"caption-attachment-2608\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2.jpeg\"><img decoding=\"async\" class=\"wp-image-2608 size-large\" src=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-1024x768.jpeg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-1024x768.jpeg 1024w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-300x225.jpeg 300w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-768x576.jpeg 768w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-1536x1152.jpeg 1536w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-1500x1125.jpeg 1500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-1000x750.jpeg 1000w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-500x375.jpeg 500w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2-360x270.jpeg 360w, https:\/\/diario.madrid.es\/carabanchel\/wp-content\/uploads\/sites\/34\/2025\/03\/WhatsApp-Image-2025-03-11-at-09.26.45-2.jpeg 1600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-2608\" class=\"wp-caption-text\">El concejal de Carabanchel, Carlos Izquierdo, con la artista, Carmen Mart\u00ednez<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>El Centro Cultural San Francisco La Prensa acoge hasta el 27 de marzo la exposici\u00f3n \u2018Retratos de Mujer\u2019, una muestra art\u00edstica compuesta por diez cuadros que rinden homenaje a mujeres que marcaron la historia. Obra de la joven artista madrile\u00f1a Carmen Mart\u00ednez, ofrece un recorrido visual por la vida y legado de figuras femeninas de distintas \u00e9pocas y \u00e1mbitos.<\/p>\n","protected":false},"author":224,"featured_media":2610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[172,170,171],"class_list":["post-2593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-centro-cultural-la-prensa","tag-exposiciones","tag-retratos"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v26.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2018Retratos de Mujer\u2019: diez mujeres, diez historias<\/title>\n<meta name=\"description\" content=\"Carabanchel acoge en marzo la muestra art\u00edstica compuesta por diez cuadros, obra de la joven artista madrile\u00f1a Carmen 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